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The Documentary Film And National Identity Search result for 'The Documentary Film And National Identity': Paper Excerpts: ... of realism in the documentary films. There are film makers who maintain that documentary with the aid of advance film concept of realism in the documentary films [Zryd, 2000]. The film theory has considered documentary "either a sort of of realism in the documentary films. There are film makers who maintain that documentary with the aid of advance film According to the documentary, "Documentary blisters film and television news," by Boedeker (1997): "the boom in concept of realism in the documentary films [Zryd, 2000]. The film theory has considered documentary "either a sort of ...
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Sources list for THE DOCUMENTARY FILM AND NATIONAL IDENTITY: Brian Winston "The Documentary Film as Scientific Investigation" in Theorising Documentary pp 39-57. Edited by Michael Renov, Houndsmills: Macmillan Press, 1993.Modes of Representation in Three Classic Documentaries Almandla!: A Revolution in Four Part Harmony, prod. KWELA Productions, dir. Lee Hirsch, 120min, HBO/Cinemax Documentary Films, 2003, CD. Apartheid and the History of South Africa U.S. Department of Justice. "What is Identity Theft?" Identity Theft and Identity Fraud. Washington, D.C.: U.S. Government Printing Office, June 2000. Identity Theft Davis, Darrell W. Picturing Japaneseness: Monumental Style, National Identity, Japanese Film. New York: Columbia University Press, 1996. Japan's Film Industry Dirks, Tim. "Film Noir." Film Noir Films Web site Journal (1998): 6 pages. 7 March 2005 <[1]http://www.filmsite.org/filmnoir.html.>. Film Noir: 1941-1953 More sources on "THE DOCUMENTARY FILM AND NATIONAL IDENTITY"
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